Historical Design Selection, Spring 2025

Gallery, Stockholm

'American Foundation' Desk. Designed by Arne Jacobsen. Produced by Rud. Rasmussen. 1952.&nbsp;Steel tubular frame, "shoes” of black lacquered wood. Top and moveable tray covered with original black leather. Blue lacquered wood drawers. Provenance: friend of Arne Jacobsen.

Feb 5 - March 29

Aiiro, in collaboration with Claesson Koivisto Rune

Oct 12 - Jan 18

Svenskt Tenn: Another Context, in collaboration with Halleroed

Nov 15 - Jan 31

Swedish Grace, in collaboration with Lee F. Mindel, FAIA and Galerie 56

Historical Design Selections, Summer 2024

<a href="https://www.jacksons.se/products/ross-coffee-table-2309032">Unique 'Ross' Coffee Table. Designed by Finn Juhl. Executed by Niels Vodder in 1948. Painted tubular steel, teak 'shoes', teak, brass.</a>

Sculpting Space

Finn Juhl

<a href="https://www.jacksons.se/products/table-2306005">Table, José Zanine Caldas, Produced by Zanine Workshop, 1977, Cerejeira.</a>

Pioneer of Sustainable Design and Cultural Synthesis  

José Zanine Caldas

Neoclassical Stool, Carl Hörvik, 1920s, Forged iron, impressed decoration, brass, velvet. 'Blidö Table', Axel Einar Hjorth, Produced by Nordiska Kompaniet, 1928, Lacquered wood. Set of Candlesticks, Anna Petrus, Produced by Herman Bergman, 1920s, Pewter, brass.

in symbiosis with the maker

Carl Hörvik

<a href="https://www.galerie56.com/">www.galerie56.com</a>

Nov 17 - Jan 22

GARBO TALKS at Galerie56

Jackson Design Gallery, located on Sibyllegatan 53, Stockholm.

June 13 - Sept 16

Jenny Ulving McCabe at Jacksons

Detail of a <a href="https://www.jacksons.se/products/cabinet-2211057">Unique Chest of Drawers</a>, Ingegerd Torhamn, 1930s, Black lacquered wood, with hand-painted drawers, metal pulls.

Exploring Swedish Modernism

Ingegerd Torhamn

Jackson Design, TEFAF New York 2023, stand 336.

May 12 - May 16

TEFAF New York 2023

Our gallery at Sibyllegatan 53 in Stockholm. In the background a section of Stig Lindberg ceramics.

Stig Lindberg

Versatile Facets of

Our showroom in Frihamnen, Stockholm. On the foreground a cast-iron table, designed by Anna Petrus in 1927 for the&nbsp;'Swedish Contemporary Decorative Arts', Metropolitan Museum of Arts, New York, where three examples were shown.

Pioneer of Swedish Grace

Anna Petrus

Otto Schulz, 'Paradise' Cabinet, 1940s, Limed oak, leatherette, 'Bo-point decoration' with brass nails in the motif of 'Adam and Eve', designed by Gunnar Erik Ström, Produced by Boet.&nbsp;

and Firma Boet

Otto Schulz

&nbsp; &nbsp; <a href="https://galerie56.com">www.galerie56.com</a>

Oct 12 - Nov 28

Garden of Celestial Delights at Galerie56

June 30 - July 06

Masterpiece London 2022

MAY 05 - MAY 10

TEFAF NEW YORK 2022

2010

Design Basel 

2009

Design Basel

2008

Josef Frank

Online Catalogue

Naturally patinated brass, stained birch.

Provenance:
Karlshamn Secondary School (Karlshamns Realskola/Väggaskolan), constructed 1912-1918.

Dining table of the interior available ref. <a href="https://www.jacksons.se/products/dining-table-2411054" target="_blank">2411054</a>.

Lighting

Ceiling Lamp

History:
The Väggaskolan secondary school in Karlshamn, Blekinge, was Gunnar Asplund's first significant architectural project, built between 1912 and 1918. He designed both the building and its furnishings, paying careful attention to detail. In a letter dated August 24, 1915, Asplund proposed designing the school's furniture. Local craftsmen produced the interiors based on his drawings.

NK Nordiska Kompaniet

Model no. 2747.
Beech, natural patinated leather with topstitch, mirrored glass.

Various

Mirror

Chamberts

Red beech, brass hinges. Hand painted decoration of Swedish summer flowers by Erik Chambert.
Inside with drawers and adjustable shelves.
Signed and dated 1945 by the artist at the bottom edge of the right door and drawer.

Provenance:
Purchased directly from Chambert.

Furniture

Unique Cabinet

Exhibited:
'Exhibition of Arts and Crafts', Nermans Konsthall, Norrköping, 1945. At the same exhibition, Chambert also showed the wallpaper Fridhemsbacken, with a very similar floral motif.

History:
Erik Chambert was a Swedish designer known for blending craftsmanship with modern ideals. Trained as a cabinetmaker, he studied at Konstfack and worked with Otto Schulz before gaining recognition at the 1930 Stockholm Exhibition. Chambert resisted mass production, instead favoring handmade furniture of high quality. In the 1930s, he began incorporating floral intarsia into his cabinets, later painting them with lush botanical scenes. These pieces, often compared to Josef Frank’s Flora cabinet, reflect his shift from strict functionalism to a more expressive, nature-inspired modernism — turning furniture into both functional objects and artistic statements.

Literature:
Festin, Bonnie, Sommaräng, Konkret, Harlekin, 'Verk av Erik Chambert', Norrköpings stadsmuseum (Norrköping) 2015, p. 63-72, 29 (sketch for the cabinet illustrated).
Nyström, Eklund, Bengt, Sigrid, 'Svenska Möbler Under Femhundra År', Natur & Kultur (Stockholm) 2008, p. 167.
Dahlbäck Lutteman, Helena, 'Erik Chambert: konstnären som möbelskapare', Raster (Stockholm) 1992, p. 23, 32.
Hedqvist, Hedvig, Christian, Björk, Eric, Ericson, 'Swedish Modern', Orosdi-Back (Stockholm) 2018, p. 482.

Københavns Stentøjsbrænderi

Designed 1929, executed 1929-1930.
Glazed stoneware.
With producers blue symbol.

Ceramics

Vase

History:
In 1926, potter Carl Hallier founded a small studio, Københavns Stentøjsbrænderi, with sculptor Arne Bang. Axel Salto joined in 1929, and his collaboration with Hallier proved pivotal. They experimented with form and glaze, influenced by Hallier’s concurrent work at the Royal Copenhagen Porcelain Factory. This overlap explains the similarities in the ceramics from both workshops. This vase was produced during that significant period. By late 1930, Hallier left the studio due to a conflict of interest with Royal Copenhagen, where he continued full-time. Salto also departed, later becoming a ‘paying guest’ at the Royal Copenhagen Porcelain Factory in 1933.

Literature:
Exhibition catalogue, 'Det Brændende Nu - Axel Salto', Kunstindustrimuseet, Copenhagen, 1989, p. 75.
Bruhn, Susanne, Wirnfeldt, Pia, 'Axel Salto: Master of Stoneware', exh. cat. CLAY - Keramikmuseum (Denmark) 2017, p.58-59, 174.

Gallery, Stockholm

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