Oil on canvas, painted wooden frame.
Signed by the artist and 'dedicated to Örnulf Julen -44'.

Provenance:
Gift from the artist to the Norwegian sculptor Ørnulf Bast,
Gift to Edgar Müller,
Thence by descent.

Various

Painting

Oil on canvas, wooden frame.
Signed by the artist to the frame.

Frame dimensions:
44 x 55,5 x 2 cm.

Painting 'The Solitary Pine'

Ink on paper.
Signed and dated.

Frame dimensions:
27,5 x 36,5 x 1,3cm.
.

Drawing

Charcoal on paper.
Signed and dated to verso.

Provenance:
The artist's son Billy Svanberg.

Other sketches and drawings by Max Walter Svanberg available.

Frame dimensions:
52 x 42 x 2,5cm.

Pencil on paper.
Signed and dated.

Provenance:
The artist's son Billy Svanberg.

Other sketches and drawings by Max Walter Svanberg available.

Frame dimensions:
52 x 42 x 2,5 cm.

Exhibition:
'Max Walter Svanberg', Malmö Art Gallery, 1979, published in the catalogue, p 42.

Charcoal on paper.
Signed and dated.

Provenance:
The artist's son Billy Svanberg.

Other sketches and drawings by Max Walter Svanberg available.

Frame dimensions:
52 x42 x 2,5cm

Charcoal on paper.
Signed and dated to verso.

Provenance:
The artist's son Billy Svanberg.

Other sketches and drawings by Max Walter Svanberg available.

Frame dimensions:
52 x 42 x 2,5cm

Oil on board, lacquered wooden frame.
Signed and dated 30.4.30. Authenticated in 1970 by his son Bo Fjæstad to verso.

Painting 'Spring Flood'

Gilded wood, paper, ink.
Signed and dated, 'Kåge 34'.

Measurements: 
Picture: 33cm/12,9" x 30cm/11,8" 
Frame: 57cm/22,4" x 44,5cm/17,5"

Oil on canvas.
Signed with title and date to verso.

Dimensions including frame: 
h. 43.5 cm
w. 35.5 cm 
d. 3 cm

Painting 'Violet + gult'

Einar Höste

Backlit serigraph in metal frame.
Part of ¨Sluten Rymd¨(Enclosed Space), designed in 1964.

Provenance:
Einar Höste.

Artwork "Sluten Rymd" (Enclosed Space)

Gouache on paper.

Provenance: 
Kunsthallen, Copenhagen, Auction 536, cat. no. 76, December 2002; Thence by Descent.

Paiting ¨Composition¨

Oil on board. 
Signed 'Kåge' to lower left.

Oil, lined canvas, lacquered wood.
Signed 'To Sigurd Ornö 1906. A study for Östra Salt from Acke'.
Study to the reverse.

Provenance: 
Sigurd von Kock;
Rikard Lindström;
Villa Akleja, Vaxholm.

History:
The painting 'Östrasalt', or as it is actually called, 'Eistrasalt', refers to the ancient name for the Baltic Sea. The painting embodies Acke's spiritual quest and is an apotheosis of the archipelago, as well as a symbolic attitude order to humanity's over-civilised dealings with mother earth.

The men are painted standing on a rock outside Örno, Stockholm. The three people epitomise painter Rikard Lindström, composer Sigurd von Kock, and Johan Axel Gustaf Acke himself. The painting ‘Östrasalt’ was initially bought by the Gothenburg Art Museum, but was not delivered promptly since the left corner was yet to be completed. Instead of finishing the corner, Acke cut the painting in two parts, and presented each part to the models. He then painted a replica indoors, which he delivered to the museum in Gothenburg. Many years later, after Acke and Sigurd von Kock’s death, Rickard Lindström reunites the two parts. He joins the picture together, and completed the unfinished corner of the painting. Lindström then also signs his contribution.

Painting 'Östrasalt'

Exhibition:
Uppsala, Konstnärsförbndet (KF) Verdandiutställning,1907.
Stockholm, Konstakademin , Minnesutställning 1925.
Stockholm, Gummesons Konsthall, retrospektiv, 1934.
Stockholm, Prins Eugens Waldemarsudde: J.A.G. Acke utställning 1982.
Edinburgh, Swedish Realism and Symbolism, Patrtic Bourne Gallery, 1983.
Stockholm, J.A.G. Acke International Art and Antique Fair, 1984.
New York, The Swedish Vision, Shepherd Gallery, 1985.
Stockholm, J.A.G Acke, Prins Eugens Waldemarsudde 1991.
Stockholm, Artipelag, Ingen människa är en ö, 2014.

Literature:
Alfons, Sven, Lindwall, Bo, Josephson, Ragnar, ’Svensk Konstkrönika Under 100 År’, Natur och Kultur (Stockholm) 1952, np. (illustrated)
Gösta Sandblad, Nils, ’ Bildkonsten i Norden’, Tidens konsthistoria (Sweden) 1950, p.530.
Hammargren, Henning, ’J.A.G. Acke; En Minnesskrift’, Gebers (Sweden) 1960, p.197.
Lövstrand, Lars, ’ Svensk Undervattensarkeologi’, Svenska Museer (Sweden) 1964, p.3-4.
Strömbom, Sixten, ’Nationalromantik och Radikalism- Konstnärsförbundets Historia 1891-1920’, Alberts Bonniers Förlag (Sweden) 1965, fig.120.
Lägerlog, Erland, ’J.A.G. Acke 1859-1924: En Studie Över Hans Liv och Verk’, Stockholm Universitet (Sweden) 1959, p.76.
Reutersvärd, Oskar, Eklund, Hans, ’Konsthandboken’, Forum (Sweden) 1948, p.392-393.
Magazine, ’Antik & Auktion’, no. 12, 1983, p.30.
Varnedoe, Kirk, ’Northen Light: Nordic Art at the Turn of the Century’,  Yale University Press (USA) 1987, p.121.

Oil on canvas, maple frame.

History: 
The artists Carl Simon Olsen and Erik Thommesen were associated with the CoBrA group. The carved wooden frame was made for 'Self Portrait' by Carl Simon Olsen.

Literature: 
Catalogue, Jørgensen, Henning, 'Billedhuggeren Erik Thommesen: The sculptor', Holstebro Kunstmuseum, Kunsthallen Brandts Klædefabrik & Bornholms Kunstmuseum, 2001, no. 22.

Painting 'Male Figures'

Oil on canvas.
Signed '1946, nyårsafton'. Stamped 'J&.W.A.' to the reverse.

Winter Painting

Oil on board. 
Signed with monogram, paper label to the reverse.

Oil on board. 
Paper label with artist signature to the reverse.

Painting 'Komposition'

Oil on board, wooden frame. 
Signed by the artist 'it'.

Oil on board, lacquered wood. 
Paper to the reverse, signed by the artist 'Focus', 'Ingegerd Torhamn'.

Painting 'Focus'

Oil on canvas, lacquered wood.
Signed and dated by the artist 'R. Thegerström 1910'.

Oil on panel.
Signed by artist to reverse.

Painting 'Målning 6'

Oil on canvas. 
Signed and dated to the reverse.