Sibast A/S

Model no. 63.
Teak, painted teak.
Adjustable shelves to the inside.

Furniture

Sideboard

Literature: 
Magazine, 'Mobilia', no. 33, 1958, np.

Swedish Desk

Set of Six Chairs

David Blomberg

Side Table

Soborg Mobler

Pair of Chairs

NK Nordiska Kompaniet

Model designed in 1929, this example executed in February 1929.
Acid treated, stained pine, patinated iron.
Manufacturer's metal plaque to the inside. NK plaque impressed 'R 33846 C 12331'.

'Sandhamn' Cabinet

Walnut, birch inlay, brass.

Provenance:
Baron and silversmith Erik Fleming (1894-1954), Stockholm;
Thence by descent to baron and court silversmith Lars Fleming (1928-2025), Stockholm.

Swedish Cabinet

Christensen & Larsen

Svenskt Tenn

Model no. 2238, designed in 1957.
Lacquered mahogany, bamboo, original textile upholstery, brass nails.

Set of Four Dining Chairs

Practical Equipment LTD

Tubular steel, original blue canvas. 
Manufacturer's metal roundel to the frame.

Pair of 'RP-7' Stacking Chairs

Model 'Lovö', designed in 1932. This example executed January, 1932.
Pine, cushion in recently upholstered fabric.

Provenance:
Engineer and architect Theodor Anton Bergen (1882-1957),
Theodor Anton Bergen had a summer house called Uggleboet built on the family's extensive archipelago estate in the Stockholm archipelago in the mid-1930s. The summer house was furnished with furniture ordered and manufactured by Nordiska Kompaniet.

Pair of 'Lovö' Armchairs

Model no. 1057, designed in 1946.
Walnut, elm root veneer.

Second example available, ref. <a href="https://www.jacksons.se/products/coffee-table-2303048" target="_blank">2303048</a>.

Sofa Table

Carl Malmsten

Attributed to Carl Malmsten. 
Veneer in various woods including mahogany and beech, inlay decoration. Two drawers, on each end.

Variation of model no. 1053.
Brass, stone slab with fossil of 'Dapedius Pholidotus'.
Paper label with scientific classification of the fossil to the underside.

Chris Sørensen

From a limited edition of up to 25.
Molded aluminium, painted steel, rubber.

Rare Aluminium Chair

History:
In 1953, Poul Kjærholm entered a competition organised by the Danish Upholsterers’ Guild, aimed at designing new types of upholstered chairs. In collaboration with upholsterer Chris Sørensen, he created two prototypes constructed from bent aluminium with padded upholstery in primary colours—referencing Gerrit Rietveld’s wooden designs. They won first prize, marking a significant step in Kjærholm’s technical evolution. The use of bolted joints was his first application of industrial fittings in furniture construction.

Following this success, Kjærholm and Sørensen developed a series of experimental pieces. The initial design—a one-legged chair with a laminated wood seat and split spring-steel stem—remained a concept. From this, he developed a three-legged chair with a moulded aluminium shell, combining structural efficiency with an innovative production method. Variants were made in aluminium, steel wire, and reinforced concrete. Despite the ingenuity, none entered full production. Fewer than 25 aluminium examples were made in late 1953, some shown at the Danish Guild Exhibition in 1954. The partnership soon ended, with Sørensen later claiming the chairs were prototypes, not subject to royalties, and too unconventional to attract commercial interest.

Literature: 
Sheridan, Michael, 'Poul Kjærholm Møbelarkitekt', Louisiana (Denmark) 2006, p. 48-49, 200.
Harlang, Christoffer, Helmer-Petersen, Kelf, Kjaerholm, Kristine, 'Poul Kjaerholm', Denmark (Arkitektens Forlag) 1999, p. 174.

Ludvig Pontoppidan

Teak, woven cane. 
Marked with manufacturer's mark to the underside.

History:
The model was made for and introduced at the Copenhagen Cabinetmakers' Guild furniture exhibition in 1950.

Literature:
Jalk, Grete, '40 Years of Danish Furniture Design 1927-1966', Copenhagen, vol. 3, p. 152.

Chamberts

Red beech, brass hinges. Hand painted decoration of Swedish summer flowers by Erik Chambert.
Inside with drawers and adjustable shelves.
Signed and dated 1945 by the artist at the bottom edge of the right door and drawer.

Provenance:
Purchased directly from Chambert.

Unique Cabinet

Exhibited:
'Exhibition of Arts and Crafts', Nermans Konsthall, Norrköping, 1945. At the same exhibition, Chambert also showed the wallpaper Fridhemsbacken, with a very similar floral motif.

History:
Erik Chambert was a Swedish designer known for blending craftsmanship with modern ideals. Trained as a cabinetmaker, he studied at Konstfack and worked with Otto Schulz before gaining recognition at the 1930 Stockholm Exhibition. Chambert resisted mass production, instead favoring handmade furniture of high quality. In the 1930s, he began incorporating floral intarsia into his cabinets, later painting them with lush botanical scenes. These pieces, often compared to Josef Frank’s Flora cabinet, reflect his shift from strict functionalism to a more expressive, nature-inspired modernism — turning furniture into both functional objects and artistic statements.

Literature:
Festin, Bonnie, Sommaräng, Konkret, Harlekin, 'Verk av Erik Chambert', Norrköpings stadsmuseum (Norrköping) 2015, p. 63-72, 29 (sketch for the cabinet illustrated).
Nyström, Eklund, Bengt, Sigrid, 'Svenska Möbler Under Femhundra År', Natur & Kultur (Stockholm) 2008, p. 167.
Dahlbäck Lutteman, Helena, 'Erik Chambert: konstnären som möbelskapare', Raster (Stockholm) 1992, p. 23, 32.
Hedqvist, Hedvig, Christian, Björk, Eric, Ericson, 'Swedish Modern', Orosdi-Back (Stockholm) 2018, p. 482.

Frits Henningsen

Walnut wood, polychrome tiles. 
Top executed by Joanna Lützhøft. Table executed by cabinetmaker Frits Henningsen.

Coffee Table

History:
The ceramicist Jonna Lützhøft was married to CoBrA artist Egill Jacobsen in 1939, but the marriage ended in 1949. Lützhøft is best known for her ceramic pieces, but she also made drawings, illustrations and paintings.

Model no. B 2155.
Walnut, walnut veneer.

Inside dimensions / mattress size: 190 x 103 cm

Bed Frame

Model 'Caesar', designed in 1928. 
Birch, carved decoration in relief, recently upholstered in linen fabric by Jackson Design.

Pair of  'Caesar' Chairs

Literature: 
Björk, Christian, Ekström, Thomas, 'Axel Einar Hjorth: Furniture, architect', Orosdi-Backs (Stockholm) 2011, p. 78, 105.

Wickman & Nyberg

Mahogany in geometric marquetry, brass.
Variation of drawers and compartments inside. 
Cabinet makers paper label to the inside: 
'Å. Wickman & Nybergs Möblerings och Snickeriverkstad, för Handtverkslotteriet, Stockholm i Mars 1937, J Wickman. Arbetare Holger Eklund, Architect Oskar Nilsson'.

Cabinet

Literature: 
Magazine by Svenska Slöjdföreningens, 'Form', no. 8, 1937, np.

Model no. 774, this example produced before 1985.
Mahogany, mahogany veneer.

Designed for the Stockholm Public Library. 
Birch, woven webbing.
Manufacturer's metal plaque to the frame 'Nordiska Kompaniet R 1 - C 19505'. 

Set of six available, ref. <a href="https://www.jacksons.se/products/set-of-six-dining-chairs-2411051" target="_blank">2411051</a>.

Literature:
Wollin, Nils G, 'Hemmet och den Moderna Smaken', Natur & Kultur (Sweden) 1928, p.75.
Holmdahl, Gustav, Lind, Sven Ivar, Ödeen, Kjell, 'Gunnar Asplund arkitekt: 1885-1940: Ritningar, skisser och fotografier', Byggförlaget (Sweden) 1981, p.136.
Boman, Monica, 'Svenska Möbler 1890‑1990', Signum (Sweden) 1991, p.134.

Huonekalu-ja Rakennustyötehdas Oy Turku

Model no. 403, 'Hallway Chair'. 
Bent birch plywood, lacquered plywood, birch.
One impressed 'Made in Finland' to base.